#since you asked for a look from nyfw specifically and nyfw is now over
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May I humbly request a runway look for the future, seafoam soul? You seem to perfectly know what aesthetics I love already ^^ but the keywords 'floating/ethereal' and 'grey' would be wonderful if possible within nyfw x thank you <3
grace ling, nyfw<3
#since you asked for a look from nyfw specifically and nyfw is now over#i figured it's okay to go ahead and post yours<3#mutuals#ss25 looks#ask#greylette#grace ling#nyfw
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Random Characters with Creative/ Designer S/O HC:
Characters: Damian Wayne, Tim Drake, Bart Allen, Conner Kent (RSS), Jamie Reyes
Damian Wayne (Fashion Design):
· You’d started off your career when you were young
· Your father wasn’t super supportive of everything and said that you were too young to start a business or what have you
· So, with approval from your mother, you started one behind his back
· He didn’t know until one day you ended up treading and going viral with a dress you made for a very famous celebrity
· At that point he couldn’t stop you and was just impressed that you made it for months without him knowing
· As long as you were keeping up schooling, it would fly
· You ended up getting to travel the world and go to fashion week
· More specifically NYFW
· New York was the big one
· That’s where you and Damian met
· He was there for a business trip with Bruce and saw you at one of the shows the girls dragged him to
· He was immediately infatuated with you and wanted to meet you
· Thank the heavens he has sisters who wear your clothes to almost every gala
· They got to go back stage and talk to you which led to you two exchanging numbers and the rest is history
· When you started dating it was really hectic
· You had a few kidnapping scares which made him want to break it off especially after you found out about the entire Robin thing
· Heeeellllllllll no
· You didn’t let that happen at all
· Bruce actually commented and said that if you were that stubborn, Damian should probably keep you
· Fashion week becomes more tiring and you also hate not being able to see Damian as much
· He comes and visits though to make sure you don’t throw yourself out a window or something lol
· When it’s over, you guys always take a long vacation to Lake Tahoe in a house Bruce owns on the Nevada side
· He loves seeing your studio since it’s so organized and colorful
· You’ve got walls of mood boards and mannequins with unfinished garments everywhere along with a massive soft couch that one of you is always sprawled out on
· Sometimes he’ll send you pictures of pretty things he thinks you’d might like which ends up being incorporated into something
· You taught him how to drape and make his own suit so that Alfred can have a day off
· If anyone has a wardrobe malfunction and you’re around, you’ve got the needle and thread kit on hand at any given moment
· Some things in the kit come in handy for picking locks too
· He thinks it’s hilarious if you ever critique something or just call it straight ugly
· If you’re at a gala and do it it’s even funnier
· “Omg...”
· “What is it beloved?”
· “The drape and hem of that dress is the most preposterous thing I think I have ever seen. The fabric isn’t even the right material or fit for their shape. How rich are these people? And they can’t afford clothes that look decent on them?” You said giving them the famous inspecting side eye, “Also, who wears pearls with double sided sequins and fur?” “They can’t fix everything sweetie.”
· *intense snickering from Damian*
Tim Drake (Software/ Web Designer):
· It’s a match made in heaven
· The two of you meet at a tech conference
· He thought that you were such an interesting person to talk to and you had offers from places like MIT
· You got along so well and then he found that you liked coffee like he did
· Omg
· He asked you out in the nerdiest way by making you decipher code on your own computer
· You were kind of mad since you had been doing some other things for some major companies but after reading the message you determined you were fine with it
· I mean how could you say no
· Anyways the date when off great and eventually the media caught heavy wind of what was happening
· You already knew about the Red Robin thing pretty quickly into the relationship though
· Tim was a genius and you weren’t far behind
· It was scary how similar you two were
· From expressions and shared humor and meme taste, it was everything
· Staying up together was another thing you did
· Although, after some time one of you would pass out and the other would go to bed too
· It was like a competition in sorts of who could stay up the longest but at the same time you needed him to sleep
· The time he felt most betrayed by you was when you replaced his coffee with decaf
· You guys just sometimes hang out in his bed tangled up in the weirdest way watching vines or weird movies
· Totally the couple that would watch the worst rated movies just to laugh at them
· Damian commented on it once and got a tired middle finger from you once
· It wasn’t the classiest move however you couldn’t care less and Tim laughed his ass off
· After that Damian seemed to respect you more
· You guys probably have matching hoodies or something with really funny or obscure culture references
· Clingy couple but nothing too over dramatic
Bart Allen:
· Your designs in architecture went down in text books
· You were famous for some really amazing builds and constructions
· You started off by building these really insane LEGO sets or doll houses based off of designs in your notebook
· Your mother still has the models in the attic which is kind of embarrassing when he sees it but he thinks it’s really cool
· When he came to your time line he knew immediately who you were
· He also totally came to you and complimented your work plus some additional hinting at what was going to happen pretty soon
· Bart was there at the rise of your success
· He basically was your number one fan the entire time
· He’ll stay up with you as long as he can when you’re working
· It’s kind of funny seeing that when you’re designing the things you went down in history for you’ll be stuck on something and he’ll just tiredly recommend what he remembers learning
· You let him look through the designs sometimes but he understands if you don’t really feel comfortable with it
· He also knows that in order to do all of this, you’re wicked smart
· When the cave needed remodeling, you were the first person that they called in
· The League was very glad that you were there and they didn’t have to pull any strings to get anyone different in
· Plus, you knew what was needed since you were there all of the time
Kon Kent:
· You got your start writing
· It was the best thing that you did to relive stress
· Once your parents saw that you were such an imaginative child, they got you in a ton of art related classes but you liked writing the most
· Your writings had won awards before but then you wrote a book and it did amazing
· So now, that’s what you do
· Kon secretly actually really likes your books and met you at a book signing
· Nerd
· He got your number there and then you realized who he was
· It was kind of funny cause you were both in that moment of realization like
· Ohhhhh I know who you are.... kinda thing
· He finds it hilarious that sometimes you’re just all over the place
· When doing research your room isn’t terrible messy, it’s just piles and piles of notes and articles
· You also probably have an expansive collection of literature yourself ranging from all genres
· You don’t really like him to proof the book, however if you have an idea for something he’s all ears
· Coffee dates to strange hole in the wall joints
· Clark really likes you and finds your humor funny in the sense that it’s close to Bruce’s
· Both very sarcastic and dry
· Lex is just glad that his son found someone with an intellect
· You don’t really like Lex though
· That’s because you hear everything that Kon has to say about him
· Although, without giving the man too much credit, the charade that he plays on the daily in quite impressive
· You will never admit it however
· Ma and Pa love you
· So does Lois
· You get along because of the writing
· Sometimes Kon will just take you to some random part of the world if you need inspiration
· “Hey wanna fly to Morocco?”
· “Why not?”
· You make a day trip out of it but if it’s a long one you’ll stay longer
· Short distance he’ll fly you himself but overseas or something, he takes one of Lex’s jets
· He likes to tease you sometimes but will take it easy during the editing phase
· Those aren’t fun at alllll
· You get cranky sometimes during that and he just backs off lol
· He will make you sleep though
· He doesn’t want you turning into Tim or anything for an extended amount of time
· Nope
· Not doing it
Jamie Reyes:
· The team didn’t know anything about your job as an artist
· You were internationally revered
· No one knew of your job but for the boy wonder who saw the paint in your hair
· Once the team did know however, everyone was amazed
· You and Jamie were already dating by then though
· He was always impressed with what you did
· Laughed when you were covered in paint
· He lets you paint or draw on his hand
· You both have matching hoodies or jackets from your clothing line or merch that you painted
· If you have a YouTube channel, he’s in some of the videos
· Scarab notes that you have a more creative personality which Jamie responds to with a sarcastic remark
· Your clothes are partly covered in paint
· He’ll go to every show
· During the Reach thing you still stayed with him
I have more parts of the Damian Wayne x reader story coming and also requests but I’m just getting into school which is my priority so that’s why I’ve been a bit more inactive. Anyways I hope you liked this one and I can’t wait to put out more
#damian wayne x reader#Damian Wayne#damian wayne#Damian Wayne x y/n#robin x y/n#robin x reader#red robin x reader#red robin#robin#batfam x reader#bart allen x reader#bart allen#batboys x reader#batfam#bart allen x you#impulse x reader#impulse#kon kent x reader#kon kent#superboy x reader#superfamily x reader#superfam#tim drake x y/n#tim drake x reader#tim drake#tim drake imagine#blue beetle#blue beetle x reader#blue beetle imagine#jamie reyes
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Top 20 Collections of FW18
It’s officially t-minus one week until NYFW! With next season fast approaching, I thought I would take a look back at some of my favorite shows from the last go around. (a.k.a. a very long post under the cut)
20. BURBERRY These days, trying to keep up with the turnover of designers at major fashion houses can make you feel like you’re watching a game of musical chairs. Christopher Bailey’s position at Burberry was one of the few constants. However, this season marked the end of his seventeen-year tenure at the British heritage brand. His final collection was an ode to the brand, the country, Bailey’s youth, and the LGBTQ+ community. Not only did he create limited editions Burberry’s iconic logo and check patterns with rainbows, he made significant contributions to charities and organizations like The Trevor Project that are focused on LGBTQ+ youth. While it isn’t my favorite collection Bailey’s designed for the brand (hello, FW16), there were many pieces I liked. Some of the looks seemed a little busy, and would perhaps benefit from simpler styling. Look 68, for example, works better for me than look 64. Nevertheless, the clothes are fun and have an undeniable sense of joy about them. It made for the perfect sendoff for Bailey’s time with the brand.
19. CHRISTIAN SIRIANO From one celebration of a designer’s career to another. This season marked ten years since Christian Siriano began his namesake line. I’ve been a fan of Siriano’s since his time on Project Runway, and his win at the end of the season came as no surprise. However, I haven’t followed his collections too closely since. It might just be a matter of personal preference - he plays a lot with ruffles and 80s-style proportions, which I’m not really a big fan of. But Siriano is clearly talented and his continued red carpet success is proof of that. This collection was one of his first in years that really stayed with me. Some of the simplest looks were the ones that stood out the most, particularly the ones in glittering black velvet. Many of the evening wear looks were elegant and seem like they were made for each specific model. Siriano has been committed to working with diverse talents and promoting a wider range of beauty standards for a while now. His shows often have some of the most exciting casts on the entire fashion calendar and this year was no exception; the addition of Danielle Brooks and Selma Blair didn’t feel like a gimmick. They looked radiant in their Siriano creations. Every model did.
18. BALMAIN Last go around, Balmain was probably the biggest disappointment of the season for me. I’ve consistently loved Olivier Rousteing’s designs for the brand, which was why I felt so heartbroken when I didn’t. This season had me falling for the brand all over again. The premise? Balmain, but in the future. The distant future. In a time when the world feels like a hot freaking mess, many look to the past, where nostalgia goggles have turned everything a nice rosy hue. Looking instead to the future is a nice change of pace, with a sorely needed dash of optimism. There was lots neon and PVC, as well iridescent and holographic materials. My favorite textile might’ve been the plastic that had an oil-slick-like sheen. Despite it being an unfamiliar fabric for the brand, the pieces still looked very Balmain. So what is classic Balmain? During Rousteing’s tenure, it’s a mix of 80s glam rock, military influences, and current party girl looks. We saw all of those in this collection. There were plenty of intricate, embroidered mini-dresses, as well as some very 80s jumpsuits (thankfully sans shoulder pads). There were, however, a few pieces that were over-embellished, and those dreaded shoulder ruffles made an appearance. Still, the majority of the collection was strong and filled with pieces I would wear in a heartbeat.
17. SELF-PORTRAIT I’ll admit I’m a sucker for collections with a strong central inspiration. (See above.) Han Chong’s most recent Self-Portrait collection was more subtle. The collection featured all kinds of garments, fabrics, and silhouettes. Rather than looks with variations on the same theme, he used many different techniques and details, blending them into a thirty-five beautiful looks. Each look was unique, but they could all conceivably be found in the closet of the same person. Of the different details, the use of large grommets in everything from skirt hems to dress sleeves was probably my favorite. One of Chong’s more well-known design techniques are his off-kilter ruffles. I know what I said about ruffles earlier, but his are brilliant. They never seem to add bulk to the figure or the garment. Those ruffles were on full display in this collection. Particularly impressive were the pieces that featured this technique in plaid. Matching up prints, or arraigning them in a visually appealing way, is particularly difficult. The way Chong has pulled it off here shows both amazing design skill and craftsmanship. Also, those leather hip bags - all of which were worn under belts, conforming perfectly to the body - were the most stylish answer to the fanny pack trend I’ve seen yet.
16. CHRISTOPHER KANE After one of my favorite Pre-Fall collections, I was eagerly anticipating Christopher Kane’s next runway show. Not only was the campaign/lookbook aesthetically pleasing, but I loved the use of crystalline fringe. So I was of course delighted when his most recent collection brought it back. Unfortunately, it wasn’t featured that heavily. Similarly disappointing was the fact that he used a particularly beautiful lasercut pleather-and-lace textile only once. His clever use of zippers on sweaters, skirts, and dresses was delightful and I would wear those rhinestone-covered shoes in a heartbeat. However, not every look was a homerun. The looks that featured marabou at the hems were mostly lost on me. Bulky hems, particularly on lightweight fabrics, can cause a garment to hang weirdly. Maybe it was just my dislike of marabou in general - I wasn’t a fan of those feathered shoes either. The finale looks featuring images from The Joy of Sex seemed a little too on the nose. Kane is no stranger to explicit garments (FKA Twigs’ Met Gala look, anyone?), but this seems a little too on the nose. It lacks the cheeky fun of his other collections. Some of the lace pieces, like Looks 9 and 12, were complex without feeling over-designed. On the other hand were simpler dresses, like Look 13, which called to mind the early aughts…and not in a fun way. As a child of the 90s and early 00s myself, I want to be excited about this revival - I’m just not there. Maybe it hasn’t been long enough yet. Twenty-year cycle of nostalgia and all that.
15. ANN DEMUELEMEESTER When the inevitable cyberpunk apocalypse occurs, I know which designer I’ll be wearing. Okay, I’ll gladly wear Ann Demuelemeester before then too. From reading the designer, Sébastien Meunier’s, inspiration alone, I knew I would love it. I mean, he name-dropped Mary Shelly. The clothes themselves lived up to my hype. My weakness for corsets, harnesses, and bondage elements knows no bounds. Actually, this was a pretty bondage-light collection from the brand, leaning more towards tough, almost survivalist pieces. Of the looks, my favorites were towards the beginning and end of the collection. While other tunic tops and miniskirts seemed to shorten the waist and add bulk to the hips, the ones made of leather were particularly flattering. And those sheer tops had me reconsidering my negative stance on shoulder pads. Hooded dresses are another great love of mine, and I’m sad there was only one in the collection. That being said, Look 6 is right up there as one of my favorites. I only have one final question about the collection; those hip capes…how do they work? I’m just as baffled as I am delighted by them. I’m being serious here. What were they attached to?
14. SIMONE ROCHA Given my general tastes, it would probably surprise most people how much I love Simone Rocha’s designs. Cute, flowery, and girly are three things I generally am not. That does not mean, however, that I can’t enjoy them. Season after season, Rocha’s flouncy, feminine designs continue to delight. Fresh off a Moncler Genius collaboration (the best of the bunch, in my opinion), Rocha’s collection was one of exuberant excess. Her usual fare of lacy frocks included beaded chains, chandelier earrings, and more bows than you could shake a stick at. There were many patterned pieces as well, and even a dress or two that featured a large amount of embroidery. Perhaps it was the season, or that Moncler collab, but many of the looks in the collection featured coats and outerwear. The sheer dresses layered over blazers were particularly fun. One of my favorites was an off-the-shoulder red pleather trench coat. Impractical for actual low temperatures? Probably, think of how cute you’d look! A couple looks did veer worryingly into cutesy territory, or featured enough fabric to drown the wearer, but there was only one thing that really bothered me. Even in the midst of the ugly shoe trend, I must ask if there’s really interested in wearing flats that make you look like a were-clydesdale. Unless you’re trying to sweep your floors and getting in all your steps at the same time, I just don’t see the appeal. Those beaded, lace-up numbers, however? I’ll take fifty, thanks.
13. SONIA RYKIEL In 1968, Sonia Rykiel opened her first boutique and kept designing for her brand until 2011. She unfortunately passed away in 2016, but her legacy as the “Queen of Knits” lives on. Rykiel is also credited as inventing many techniques and pioneering braless fashion. This collection marked the 50th anniversary of her brand and was a celebration of everything she accomplished. There were sweaters galore and models sporting Rykiel’s signature curls smiled as they made their way down the runway. The five women who closed the show even had glitter sprinkled in their hair. While the show was very Rykiel, I was surprised by the lack of details Rykiel was known for. It may just be my computer’s resolution, but I barely saw any unfinished hems and not a single inside-out seam. Nevertheless, Rykiel’s “gamine Rive Gauche” style was on full display. I particularly loved the lace dresses in Looks 35 and 36. The show was a touching tribute to a well-loved and talented. designer. Bananarama even performed! Now, that haute couture show, however…
12. SAINT LAURENT What can I say other than I’m predictable? Dark colors, leather, and rock & roll are a pretty much unbeatable combination in my book. This may be fashion blogger heresy, but I actually enjoyed Hedi Slimane’s take on the brand. His first outing at the house was definitely my favorite, but I did like a lot of his other collections. Still, when I found out Anthony Vaccarello was taking over, I was hype. He was a favorite of mine and his designs seemed to fit the “skinny rocker” aesthetic Slimane championed for the brand. So far, he hasn’t let me down. Well, aside from jettisoning his main line to focus on Saint Laurent. But, hey, it’s a big job. That being said, this might be my least favorite of Vaccarello’s collections for Saint Laurent. The majority of the looks didn’t offer up anything particularly new or exciting the way his previous collections have. And those twenty-nine samey mini-dresses that closed out the show? The ones with the floral embroidery that looked like 80s wallpaper? Not the biggest fan. With that being said, I still liked the collection a great deal. The majority clothes were still nice as well as wearable. I really liked the set of three black, floor-length gowns near the middle of the show - particularly when paired with those wide-brimmed hats. Special mention also goes to the earrings in Look 52. Who doesn’t want a pair of crystalline fish skeletons dangling from their ears?
11. OFF-WHITE Virgil Abloh is having a hell of a year. First, there was the mob scene created when gatecrashers and those with invitations alike attempted to enter the show space all at the same time. Then, shortly afterwards, he was appointed to succeed Kim Jones as artistic director at Louis Vuitton menswear. His first collection for the brand was met with critical acclaim, and not without reason, but his FW18 collection for his own line deserves just as much praise. Maybe it was just me being a biased Manhattanite, but I always seem to love collections inspired by the city. (Even if this collection was titled “West Village” and I grew up on practically the other end of the island.) Typically, when I say a piece looks like it was made from a tapestry, it’s not a good thing. Abloh literally used a “tapestry” fabric for several of the looks in the collection, but they only scream “high fashion”. A couple pieces appeared to have fit issues, but I really enjoyed the collection and liked so many of the pieces. The corsets and blazer-romper combos were particularly nice. I also liked the athleisure-style turtleneck, flowy silk dresses, lace-up boots, corsets, sequined pieces…
10. OLIVIER THEYSKENS Until recently, Olivier Theyskens was a name I associated with Theory. I liked his work for the brand (there’s a well-loved leather jacket in my closet as proof), but I love his work for his own line. His detailing is subtle, never calling attention to itself, but enhancing the garment. The seams on the leather trench in Look 2 is the perfect example of that. I also love a good leather pant and some distressed denim, both of which were on display in this collection. The only pieces I wasn’t particularly into were the Bermuda shorts, but that length is usually a no from me anyway. One surefire way to my heart is by combining soft and hard feminine - a major theme of the collection. Slinky slip dresses were paired with platform combat boots that made my inner emo kid sing with joy. Several looks combining chunkier dresses with long coats called to mind 90s media like Buffy the Vampire Slayer and The Craft (two perennial favorites of mine.) There’s been something of a grunge/90s revival happening on the runways recently - the twenty-year nostalgia cycle, I’m telling you - which this collection could definitely be considered a part of. And I for one could not be happier.
9. COACH 1941 Discovering I liked Coach’s clothing line was the biggest plot twist for me of 2014 - and that was the same year Captain America: Winter Soldier came out. Before then, I only ever associated Coach with pocketbooks that screamed their brand name back at you. (No, I’m not a fan of the logomania trend, why do you ask?) Stuart Ververs’ clothing, however, is all kinds of 70s rock & roll, which I am very much into. That vibe was present here as well, particularly when paired with the muted and neutral fall color pallet of this collection. There were both slip dresses and more flowy pieces in a variety of colors and prints. The latter were more modest and called to mind prairie dresses, all without feeling dowdy. Some of my favorites were the ones that had a harder edge, with things like leather details. What can I say other than I’m consistent? Some pieces in the collection seemed laden with one too many details, or had an off-putting color pallet - like a metallic gunmetal and orange pleated skirt with a single, bright blue stripe near the hem. On others, however, the details absolutely made the piece. Some leather jackets, for example, had embossed inserts in a different color that really elevated them. And while I may loathe their C-print bags, there’s no denying Coach makes quality leather goods.
8. DION LEE Variations on a central theme? Check. Clever suit tailoring? Check. Lingerie details? Check. This most recent Dion Lee offering combined three of my favorite elements into one very strong collection. While pairing blazers with lingerie has been a trend in street style for some time now, Lee may be the first person I’ve seen to combine them into a single garment. With the smallest of cutouts just above the bust, many of these suits managed to be sexy without being obvious. Well, except for the opening looks which used contrasting fabrics for the bra insert and the rest of the blazer to draw the eye. That’s not a disparaging remark either - I quite liked those two looks, and I don’t fall for grey/warm color combinations easily. Another recurring element in the collection was the use of a fabric slashed in such a way that it becomes almost a fishnet. It’s a technique Lee’s spent years perfecting. On some pieces, the fabric was slashed more and pulled apart in certain areas to create varying levels of opacity. One element I didn’t particularly enjoy were the almost handkerchief-like hems on several of the dresses and skirts. Heavy hems are a hard sell for me and, while I adore cephalopods, I don’t think I want to go around looking like one any time soon. They worked a little better on the garments where they were pinned up, but that’s still going to be a no from me. Every single shoe in the collection, however, was right up my alley.
7. ROBERTO CAVALLI Glamour, opulence, and excess are three words that come to mind at the mention of Roberto Cavalli. However, that was the house under Cavalli himself. Paul Surridge’s vision of glamour is a little more subtle. Outside of a few evening wear looks - arguably some of the strongest in the collection - there was nary a sparkle in sight. Instead, the focus was on business dressing that featured subtle hints of sexuality. Several drop-waisted gowns used a combination of creative cutouts and thigh-high slits that oozed Cavalli. Handkerchief hems featured on everything from blazers to multi-tiered dresses….The effect was better on some pieces than others. Still, Cavalli’s influence on the brand was there. Many looks featured the kind of ombre prints Cavalli loved. (They were particularly reminiscent of the finale looks of his FW15 collection.) There were also the animal prints and straight-legged pants that were common staples on his previous runways. The blazers, however, were definitely Surridge; he is a former menswear designer after all. Interestingly, some of the looks could’ve benefitted from sharper tailoring. A few jackets and blazers had slits up the sides that were interesting in concept, but not so great in execution. Sensual business wear and understated elegance…Could this be what we can come to expect from Roberto Cavalli under Surridge? Of course, if you prefer the OTT glamour of Cavalli’s era, there were a nice pair of $91K crocodile leather pants that might be right up your alley.
6. TOMMY HILFIGER Okay, okay, Tommy Hilfiger uses the see-now-buy-now business model, so the most recent runway show was actually for SS18. However, it happened during the most recent fashion week. Also, I really liked the collection, so it’s going on the list. What can I say other than I love a good moto detail? It’s the first thing listed in my “about” page. And this was a whole collection based around moto looks. It also happened to be the final Tommy X Gigi collection. I can’t speak to how much creative input Gigi Hadid actually had in the the collection itself, but the outcome was wonderful. If her streetwear is anything to go by, she certainly likes moto too - along with the athleisure vibes that Hilfiger’s brand is built upon. In fact, this collection looks exactly like what current influencers, such as Gigi and co., already wear on the daily. It becomes a classic chicken-and-egg question. Which came first; a trend influencers picked up on, or designers picking up on influencer trends? Regardless, the clothes were still cute and wearable - if only for a specific demographic. Hilfiger is definitely marketing this collection towards a younger generation of social media stars and those that want to emulate them. There were crop tops galore and, of course, a pair of bike shorts or two. The only real problems I had with the collection were in fit and styling. Does anyone want a top that’s fitted under the arms, only to flare out at the waist? And then there were the shorts layered over, again, bike shorts. Other than that, I would happily wear almost any piece in the collection. Oh, crap, have I bought into the influencer hype? And if I have, can you blame me when it comes to collections like this?
5. JACQUEMUS And now we move from Instagram to Tumblr. No, Simon Porte Jacquemus was not inspired by this very website. The source of his inspiration, however, is one that is quite popular here. I must admit, I never really understood the wistful posts about reading classic lit on the Mediterranean - that is, until now. After spending some time in Morocco, Jacquemus created a collection inspired by the year-round mild climate there. The collection was filled with kaftans, loose shirt dresses, and clingy but light knits. Even the most substantial sweaters and coats felt breezy compared to most of the other outerwear shown this season. The collection was, of course, very French as well. The looks, nearly all of which had some slinky, body-conscious elements, oozed confident sensuality - the kind that’s endeared Brigitte Bardot to generation after generation. Small details were key here. Several looks included a tiny white tee that could easily be an updated version of the baby-tee that’s been gaining traction lately. Some also included a delicate gold body chain - which I need immediately. A sweater dress or two had a ribbed detail around the hip that flattered the body wonderfully. Clever draping on the jackets made you sit back and wonder just how the garment’s pattern had been drafted. Of course, Jacquemus also loves wild proportions. There were touches of that in this collection, but none more obvious than the bigger-than-big, wide-brimmed sun hats, which have been worn by Bella Hadid, EmRata, and more. With cold weather on the horizon, I’m already anticipating the moments I have every winter, where I’ll wish I was somewhere warm. This year, I’ll be fantasizing about reading Lovecraft on the Mediterranean - while dressed in Jacquemus, of course.
4. PACO RABANNE I’ll admit, I was slow to come around to Julien Dossena’s take on Paco Rabanne. Part of it might’ve been because I was bitter about the brand dropping Manish Arora so quickly. (And I still am.) But another part was the lack of the brand’s signatures within his collections. Sure, there were nods to the materials Rabanne first made fashionable, but they were never at the core of the collection. A metallic-sequined skirt here and a plastic dress there and that was it. That is, not until his chainmail-heavy FW17 collection. His following runway collection was one of my favorites of the season. This time around, Dossena finally took on the hardest challenge in Rabanne’s legacy; plastic and metal as textiles. To say that he succeeded is an understatement. The collection not only read “Paco Rabanne”, but Dossena as well. Each new piece felt fresh and exciting. Who knew there were so many different ways to shape metal and plastic together? There were hints of 60s mod influence, like a black and white striped t-shirt dress, but it was given a much more current silhouette. That particular dress was layered under a mesh made up of metal beads and rings. What’s more, all the pieces showed great movement. Just because they were made of stiff materials did not mean they had to be rigid or hard. A skirt composed of metal pieces shaped into flowers was even delicate and whimsical. This was classic Rabanne for the modern age. (Let’s just…not talk about those shoes, okay?)
3. CHLOÉ You hear a lot about sophomore slumps. Difficult second albums…difficult second runway collections? Not for Natacha Ramsay-Levi. In fact, this collection might even be better than her first. Chloé is a brand rooted in the 70s, and Ramsay-Levi’s clothes, while clearly inspired by the decade, didn’t feel dated. Garments were loose, but tailored in such a way that they still showed the figure underneath. Flattered, even. (A Surridge subtweet? Never.) Cutouts are still going strong, at least over at Chloé, and there were several variations I’d yet seen. Hip cutouts with a belt over top and even side-torso cutouts if you’re feeling a little more daring. The looks that created the illusion of a cutout by layering a plunging v-neck over a cropped turtleneck were also standouts. There were a couple pieces that did feel a little off, however. Namely the pieces that had a row of fur on them like some kind of edging or fringe. Those pants with the line of fur down the sides were particularly silly, sorry not sorry. On the other hand, the collection included a look or two with that shoulder frill so many designers have tried recently, which my mother and I joke makes you look like a nudibranch. But here it didn’t. Perhaps it was the bracelets over the sleeves that saved it. (A fashion risk, but one that definitely paid off.) There were so many other pieces I wanted to comment on - the flared pants, the jumpsuits, the updated Chloé boots, the jewelry, the aviator jacket…But what else is there to say some times other than I liked the collection?
2. ALEXANDER MCQUEEN In recent seasons, Sarah Burton has (imho) really hit her stride at Alexander McQueen. This collection in particular had an inspiration that was close to my heart. One of my mother’s best friends collects insect displays. Creepy and weird, sure, but also beautiful. Very much the McQueen M.O. This collection featured both beetle and butterfly motifs - some more literal than others. The “articulated corsets” could either be insect exoskeletons or butterfly wings. There were also a variety of garments in butterfly and beetle wing prints that were wonderfully geometric, if a bit busy at times. The most effective was probably a trench coat with an orange and red version of the butterfly print from the lapels down. (Though not quite as impressive as the coats with lace inserts, which were simply stunning.) The biggest surprise of the collection were the fringe dresses. Not so much the fact that there was fringe - it was ubiquitous this season, and Burton has used it before - but the fact that I liked her use of it. Her manipulation of the material was brilliant in the way it mimicked and integrated those earlier prints. The finale dresses that did not include fringe, however, I liked decidedly less. Decidedly. It’s a testament to how much I liked the rest of the looks that this collection was still my second-favorite overall. My favorite looks actually came earlier in the collection, both of which featured tulle embroidered with some very 3D beetles. Heavy? Probably. Uncomfortable to sit down in? Also likely. But stunning? Just like the rest of the collection, without a doubt.
Alright, I’m sure you can already guess my favorite SS18 collection (because I am tremendously predictable), but I wanted to give shoutouts to some honorable mentions first. The moto-reimaginings of Jackie Kennedy’s most iconic outfits at Moschino were some of my favorite individual pieces of the season. However, the unfortunate phrasing in the campaign has left a bad taste in my mouth since. Oscar de la Renta was gorgeous (that layered tulle coat Nicki Minaj wore to the Met Gala, wow), just not as exciting as the previous season. Likewise, Area had some great looks, and I loved the dark lip on some of the models, but it was about 50/50 for me. David Koma had amazing leather craftsmanship, as always, but the looks with embroidered feathers felt like something you could find at a department store. In another season, Elie Saab might’ve made it onto the list, I just happened to like other collections more. (Look 56, though. Wow.) And, with that all off my chest, my favorite collection of the season!
1. ALEXANDER WANG Do all of the earlier references to designs I like count as foreshadowing? This collection literally had it all; clear inspiration, variations on a theme, moto details…Well, and Alexander Wang is my favorite designer. From the first look, I was in love. There was something distinctly Matrix-ian about the collection - and it wasn’t just the tiny shades. Perhaps it was the trench coats and the prevalence of leather, or having the models stomp through a set that was, at one point in time, an office building - the former Condé Nast HQ, in fact. Wang’s use of zippers in this collection was phenomenal. The ones that hugged the hip were particularly beautiful, as were the ones that mimicked seams around the waist and bust. Perhaps the only looks I wasn’t feeling were some of the sweatpants. As much as I liked the rest of the seams, ones near the hips always feel a little unfortunate to me. But the rest? I was blown away. The ways Wang reinterpreted blazers in this collection; from the not-quite business wear at the beginning, to the mini-dresses at the end. Brilliant, all of them. Just the mini-dresses in general - an Alexander Wang girl is always ready to attend the hottest party in town. Those chiffon numbers towards the middle and the metallic looks near the end also deserve a mention. Honestly, even the things I don’t typically like, I was into in this collection. Pink is usually a hard color to convince me of, but I would absolutely wear the hot pink pieces here. Could I pull them off? Probably not, but I also wouldn’t care. I’m also not a huge bag person, but the Swarovski-encrusted Ziplock was pure genius. Unfortunately, this is the last collection Alexander Wang plans to show during the conventional NYFW schedule. In fact, he already showed his SS19 collection back in June. (And I loved it, of course.) My thoughts on that collection will have to wait for a little while longer. For most designers, SS19 will begin tomorrow. However, I already know Wang’s collection will make the list.
Alright, I think that’s enough rambling for one post. Those were my opinions on last season, but I would love to hear yours. What were your favorite collections of FW18?
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AUC's Best Dressed NO. 3
We’ve reached the middle of the new semester which means a new edition of AUC’s Best Dressed! As you all know the Atlanta University Center is saturated with fashion enthusiasts, creatives, and overall people with great sense of style. I was able to catch up with more faces of the AUC with unique style and get more info on what inspires them.
Deonte Holton
"I get dressed for myself, and I stay in my zone. Less is more."" -- Deonte Holton
Meet Deonte Holton, a 21 year old from Cleveland, Ohio. He is currently attending Clark Atlanta University as a senior studying Fashion Merchandising with a minor in Public Relations. He would describe his personal style as “high fashion dad looks” due to his comfortable lifestyle and love for high fashion. It is a combination of staying in his zone, but with pieces you wouldn’t see on anyone else. His favorite stores consist of Jeffrey being that it is unique and carries unique items. Deonte’s fashion icon is Greg Ntore, a stylist for SSENSE. His style is very settle, and he loves the fact that he doesn’t have to do much to get dressed. You don’t have to be extra.
Deonte currently works at Jeffrey Atlanta located in Phipps Plaza where he gets to express his creativity through people; helping people with different outfits for different events. Knowing people trust his opinion or even asks him for fashion advice lets him know he’s doing something right. From this outcome, Deonte has a blog coming soon that focuses on telling his story — Giving his audience a description on life trying to make a name for himself in this industry as well as an outlook on his day to day life as a gay black man so be on the look out for that! @de0nte
Dei’Ray Ceaser
Dei’Ray Ceaser better known as Ray is 19 from New Orleans, Louisiana. Ray is currently a sophomore at Morehouse College majoring in Computer Science with a focus in 3D Animations. As of last semester, Ray has been modeling with the AUC Agency where he has met many people who inspire him and push him to be himself. Before the agency, he was influenced by tumblr pre 2016. Since then he’s been wearing and styling unorthodox fits to represent his moods. Music has been a big influence since Ray was young, growing up to jazz and artists like Hot Boys, Asap Mob, pro era etc. Now Ray listens to a lot of emo rap and artists like Carti, Uzi, and Xavier Wulf which brings out his rockstar moods and fits. His favorite store is the thrift store because everything is cheap and it has many unorthodox pieces to compliment his style. His favorite brands are Y-3, Acne, Gosha, and 424. and his favorite designer is Raf Simons or Alessandro Michele. @rayfrmearth
Unique Akinloye
Unique Akinloye is 19 from Trumbull, Connecticut. She is a sophomore at Spelman as a Dual Degree Chemistry and Chemical Engineering major. Unique grew up surrounded by the beauty/fashion industry because of her mom’s occupation as a hairstylist. She attended a lot of beauty events growing up such as IBS New York, NYFW, and Bronner Bros hair show. Akinloye would describe her style as a mix of chic, streetwear, simple, and cozy. She mainly shops online at Heroine, Zara, Depop, Urban Outfitters, and she also thrifts. Her fashion icon is Rihanna and her style inspiration stems from New York because she always sees something cool whenever she’s there.
Unique is apart of an organization called Empowering Through Beauty Foundation — The organization focuses on providing beauty services to women and young girls in underserved communities. Unique has also interned at Estée Lauder over the summer doing research in the product development lab. With her major, she plans on going deeper into the beauty industry. @unique.sade
Tanasia Walker
Meet Tanasia Walker a 21 year old student at Clark Atlanta University from Grand Rapids, Michigan. Tanasia is a senior at Clark where she studies Mass Media Arts. Tanasia would consider herself a minimalist. She doesn’t care for the current trend of fast flashy fashion, but rather enjoys simple high quality pieces. Tanasia’s love for simplicity grew tremendously after her trip to Paris last Spring. There she was able to see firsthand how French people people dress which opened her eyes to a whole new world of fashion. Every designer piece you wear doesn’t have to show that it is designer. She appreciates designers who put their efforts into their quality rather than the monograms. Her favorite store right now is Zara. Her favorite designer is Simon Porte Jacquemus because she appreciates his simple yet quality pieces. Tanasia says, “Anyone who knows me knows I love Rihanna.” Rih was the first to show her what a true trendsetter was. She wears whatever she wants and still manages to look amazing.
Aside from fashion Tanasia uses writing as an outlet to express herself. Vogue Magazine introduced her to fashion writing and the world of magazines. She is currently working on curating her own website that will allow her to showcase her writings and personal style. @tanasianajae
Kyla Angello
"Do not put yourself in a box, there's too many looks out here to kill." -- Kyla Angello
Kyla Angello, 19, is a sophomore Psychology major attending Spelman College from Lawtrell, Louisiana. When it comes to Kyla’s style there is no blueprint. There is never one particular look that she goes for because she loves to explore outside of the boundaries of fashion. She is very intrigued by individuality so depending on the day, her looks range from bold, statement wear to simple statements to chill streetwear. Kyla’s absolute favorite stores are Zara and Akira. Both stores are filled with statement pieces that cater to your individual sense of style. If she had to choose one current fashion icon it would be Blair Eadie. Her style inspiration comes from within. She does not necessarily look to to other people for style inspiration, however, if there is a concept that she sees potential in she will seize the opportunity to make it her own.
Outside of the Spelman community, Kyla allows everyday life experiences and hardships to fuel her creativity. She truly believes in beauty behind the madness. Most importantly, she believes in presenting her passions in a way that will be both appealing as well as inspiring to the community. For this reason, she created HerWay. HerWay is a fashion and lifestyle blog specifically centered around individuality. @kylabrionne
Delaney James-Grant
Meet Delaney James-Grant a sophomore, 19, attending Clark Atlanta University majoring in Fashion Design from Brooklyn, New York. She describes her style as very tomboyish and relaxed. She loves to dress comfortable. She loves baseball hats so almost all of her outfits have to include one. Delaney loves to shop at thrift stores, Urban Outfitters, and Zara. Her fashion icons are Dej Loaf and Lil Uzi. Her biggest style inspirations are her friends. They all have unique dressing styles so it’s easy to feed off one another. Delaney has been designing clothes for a while and she usually finds inspo from the clothing she has, Just going out and shopping allows her to express her creativity because she sketches ideas from clothes that she wants or already owns. @delaneyjayy Hope you all enjoyed the third edition of AUC’s Best Dressed. Let me know your thoughts in the comments below! Who should we feature for the next edition?
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‘Only You And Your Darkness Know Who You Are’ Read Amber Tamblyn’s Open Letter To James Woods!
Now we know what she meant when she said this wasn’t over.
In case you missed how this feud got started, former movie star and current day conservative crank James Woods blasted the upcoming LGBT movie adaptation of Call Me By Your Name for its depiction of a romance between a 24-year-old and a 17-year-old.
After star Armie Hammer called out Woods’ hypocrisy — as he dated a 19-year-old when he was 60 — Amber Tamblyn revealed the actor had actually hit on her when she was just 16! Even after she told him!
Video: See The Call Me By Your Name Trailer
After he responded that her story was a lie, the Sisterhood of the Traveling Pants star decided to come guns blazing at the Diggstown actor with an open letter in the pages of Teen Vogue.
In the letter she recalls the entire story of Woods’ gross approach of her and her friend, and man he does NOT look good.
Read the entire letter (below):
Dear Mr. Woods,
What you are experiencing is called a teachable moment. It is called a gift. It is called a humbling. It is called Jesus, I come to thee. It is called an awakening. It is called a growth edge. It is called hope.
The hope being that through this experience, you can change. You can redefine the man who will come after this moment and this man who came before.
Since you’ve now called me a liar, I will now call you a silencer. I see your gaslight and now will raise you a scorched earth.
My friend Billy and I were at the Roxy on Sunset Boulevard seeing a band we loved. We decided to go to Mel’s diner on Sunset Boulevard in Hollywood to get burgers after. I had just gotten my driver’s license and very specifically remember my nervousness trying to park in the diner parking lot. Upon leaving the restaurant we were stopped by you and your friend, who both seemed very nice. At one point you suggested we should all go to Las Vegas together. “It’s such a great place, have you ever been?” You tried to make it sound innocent. This is something predatory men like to do, I’ve noticed. Make it sound innocent. Just a dollop of insinuation. Just a hair of persuasion. Just a pinch of suggestion. “It will be so much fun, I promise you. Nothing has to happen, we will just have a good time together.” I told you my age, kindly and with no judgment or aggression. I told you my age because I thought you would be immediately horrified and take back your offer. You laughed and said, “Even better. We’ll have so much fun, I promise.”
Here’s the thing, Mr. Woods. At that time I was not a public persona. I had done a couple years on a soap opera as an actress, but you wouldn’t know me from Adam. I’m sure you’ve racked your brain trying to remember how you could’ve possibly hit on the actress Amber Tamblyn at a diner almost two decades ago. You think, it’s not possible, there’s no way I would’ve been so stupid as to hit on a 16-year-old known actress. But I wasn’t known then, James. I was just a girl. And I’m going to wager that there have been many girls who were just girls or women who were just women who you’ve done this to because you can get away with it.
The saddest part of this story doesn’t even concern me but concerns the universal woman’s story. The nation’s harmful narrative of disbelieving women first, above all else. Asking them to first corroborate or first give proof or first make sure we’re not misremembering or first consider the consequences of speaking out or first let men give their side or first just let your sanity come last.
So it is with hope, Mr. Woods, that I ask you to go inward now and ask yourself the hard stuff. The ominous unconscious stuff. The archetypal masculinity stuff. The power-play stuff. The perversion persuasion stuff. The secretive stuff. The id’s most cherished stuff.
Only you and your darkness know who you are. Only you and your actions know what you’ve done. That means you and only you have the power to change your behavior.
Are you and your history with women and girls a part of the problem, Mr. Woods?
Go now and look in the mirror and ask yourself if this is true. Go on, I’ll wait. But I won’t hold my breath.
[Image via Joseph Marzullo/FayesVision/WENN.]
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Fashion Geek on Fashion Week
It’s that time of the year again! Leaves are changing color, seasonal drinks are back at Starbucks, and every other commercial is for a back-to-school sale. Soon, temperatures will drop. Daylight hours will shrink. I’ll finally have an excuse to wear the new leather jacket I got for my birthday…Ah, fall.
I’ve gotta be honest upfront; I hate fall. It’s my least favorite season by a wide margin. But, hey, this blog isn’t going to be a negative space. So I’m gonna try to focus on the positive things - like Halloween, NaNoWriMo, and new episodes of The Good Place. Oh, and fashion week!
So what even is fashion week? The whole thing can be pretty misleading. For one, it isn’t actually one week. In fact, it’s actually composed of several, individual “weeks”, most of which aren’t actually seven days long. To make things even more confusing, there are multiple fashion weeks each year for nearly a dozen different seasons. That’s not even getting into the fact that most shows at fashion week aren’t showing clothes for the season they’re presented during.
Umm, let me start over. A “fashion week” can be defined as an approximately week-long event during which designers present their most recent collections in or around the same area. While couture has followed the same general format since the late 50s, and runway shows have been going on even longer, the current lineup has only been around for the last thirty to forty years.
These days, when people use the general term “fashion week”, it’s typically in reference to the Big Four, which are New York, London, Milan, and Paris Fashion Weeks. They occur in that order back-to-back twice a year. One time focuses on spring and summer dressing, while the other is focused on fall and winter (often abbreviated S/S and F/W or A/W). The first typically occurs in February and March, while the second kicks off towards the beginning of September.
Now here’s where it gets wonky; the shows taking place this fall/winter will show spring/summer clothes and vice versa. This was the main point of my confusion when I first started getting into fashion. However, there’s a good reason for it. Showing clothes for the coming season allows designers to better meet buyer demands. Not every piece from a collection ends up on the runway, and not every piece shown on the runway will make it to production. It also allows buyers to anticipate trends and gives production teams enough time to craft the finished garments.
Well…usually. Several seasons ago, the industry saw a new trend emerge; the see-now-buy-now collection. As the name suggests, pieces are available to purchase from the moment the collection hits the runway. Many heavy hitters in the fashion world have adopted this business model, such as Burberry and Tommy Hilfiger. Why? The answer is simple. As production becomes quicker and easier, and shipping is no longer such a lengthy process, some brands and designers have been rethinking the conventional retail schedule. As the world changes, shouldn’t fashion change with it? Brands have seen mixed success so far, but these are recent changes. Perhaps I’ll be able to give you a better answer in a couple seasons.
The designers in the SNBN camp aren’t the only ones to shirk the conventional fashion week schedule. The late, and much beloved, designer Azzedine Alaïa began showing collections on his own schedule in the 90s. Rodarte and Proenza Schouler, both NYFW regulars, opted to show during Paris Couture Week for a few seasons. This year will be the first season they’re back in the Big Apple. Alexander Wang, one of my all-time favorites, has recently switched over to showing in the gap between seasons. After so many years, designers and clients alike have grown bored of the traditional fashion schedule and are beginning to experiment with their recent releases. Like the SNBN collections, only time will tell what works and how this affects the industry at large.
Runway shows aren’t the only events that happen during fashion week, though they are the most popular. Many designers show their collections using a presentation format. Guests are welcomed to come in - typically to the designer’s workshop, though showrooms and eateries are also popular - where they can see the clothes up close and personal. (And maybe sip a cocktail or two.) Instead of stomping a catwalk, models are asked to stand or pose while guests interact with the collection. Sets might even be involved - some more elaborate than others. While presentations common for accessory designers, some clothing designers also use this format.
The upcoming season will primarily show clothes that are considered “ready-to-wear” (also called RTW and prêt-à-porter), but RTW isn’t the only subset of clothing. Earlier, I mentioned couture, or made to measure clothing. Only a select number of designers show couture collections, so the runway season is condensed into a single week - one in early July and another in January. However, because couture itself is so distinct from RTW, it definitely deserves its own post. Like RTW, couture follows the same “season ahead” business model; summer clothes are presented in winter and vice versa.
There are also two seasonal weeks for menswear, the most prominent of which generally show in the week before couture. However, more and more designers are choosing to show men’s and women’s clothing in the same collection. This has been happening during menswear week for a while now, wherein some collections will include a handful of womenswear looks. In traditional RTW seasons, it was a fairly rare concept until recently, and it’s been gaining a lot of traction. As the world at large continues to loosen its thoughts of gender as a rigid binary, it’s only logical that fashion should reflect this as well. Also, according to brands like Vetements, it’s just more economical. Expect to see male and female models alike on runways like Michael Kors, Burberry, and Saint Laurent during the upcoming SS19 shows.
But Spring/Summer and Fall/Winter aren’t the only two seasonal categories. There are two main inter-seasons; Resort or Cruise (two names for the same thing, shown before S/S) and “Pre-Fall” season (shown before F/W, natch). Not all designers choose to create inter-season collections, and even fewer do runway shows for them. There are also fashion weeks dedicated to everything from bridal collections, to swimwear. And there are more city- or country-specific fashion weeks besides the Big Four. A quick peek at the international Fashion Week Online calendar shows that there’s just about one every other week - sometimes several simultaneously - happening from São Paulo to Tbilisi to Tokyo.
Okay, but that’s a lot. It’s probably easiest to just pick and choose which designers or seasons you want to keep up with. (I know I do!) If this is something you’d be interested in, but aren’t sure where to start, I’d highly recommend the American Vogue website. They have a separate Runway tab which allows you to see each look of a collection, often moments after the collection hits the runway. It takes a little longer, but some collections include detail shots of the pieces, or backstage beauty looks. There are also archives of various shows - some going back to the nineties. Besides Vogue, there’s Livingly, WWD, The Fashion Spot, and more. If you’re so inclined, there is the Vogue Runway app that also offers street style photography, a “favorite collections” tab, and can send you updates about recent shows. It’s all a matter of personal preference!
So…who else is hype for SS19? This upcoming fashion week is a great place to start if you think you might be interested in getting into fashion, but haven’t yet. I’ve been counting down the days myself, and I know I’ll be checking the app daily along with practically every online fashion magazine. In preparation, I’ve also written a list of my top twenty favorite collections from last season. There might even be a few surprises in store this week. Watch this space!
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‘Only You And Your Darkness Know Who You Are’ Read Amber Tamblyn’s Open Letter To James Woods!
Now we know what she meant when she said this wasn’t over.
In case you missed how this feud got started, former movie star and current day conservative crank James Woods blasted the upcoming LGBT movie adaptation of Call Me By Your Name for its depiction of a romance between a 24-year-old and a 17-year-old.
After star Armie Hammer called out Woods’ hypocrisy — as he dated a 19-year-old when he was 60 — Amber Tamblyn revealed the actor had actually hit on her when she was just 16! Even after she told him!
Video: See The Call Me By Your Name Trailer
After he responded that her story was a lie, the Sisterhood of the Traveling Pants star decided to come guns blazing at the Diggstown actor with an open letter in the pages of Teen Vogue.
In the letter she recalls the entire story of Woods’ gross approach of her and her friend, and man he does NOT look good.
Read the entire letter (below):
Dear Mr. Woods,
What you are experiencing is called a teachable moment. It is called a gift. It is called a humbling. It is called Jesus, I come to thee. It is called an awakening. It is called a growth edge. It is called hope.
The hope being that through this experience, you can change. You can redefine the man who will come after this moment and this man who came before.
Since you’ve now called me a liar, I will now call you a silencer. I see your gaslight and now will raise you a scorched earth.
My friend Billy and I were at the Roxy on Sunset Boulevard seeing a band we loved. We decided to go to Mel’s diner on Sunset Boulevard in Hollywood to get burgers after. I had just gotten my driver’s license and very specifically remember my nervousness trying to park in the diner parking lot. Upon leaving the restaurant we were stopped by you and your friend, who both seemed very nice. At one point you suggested we should all go to Las Vegas together. “It’s such a great place, have you ever been?” You tried to make it sound innocent. This is something predatory men like to do, I’ve noticed. Make it sound innocent. Just a dollop of insinuation. Just a hair of persuasion. Just a pinch of suggestion. “It will be so much fun, I promise you. Nothing has to happen, we will just have a good time together.” I told you my age, kindly and with no judgment or aggression. I told you my age because I thought you would be immediately horrified and take back your offer. You laughed and said, “Even better. We’ll have so much fun, I promise.”
Here’s the thing, Mr. Woods. At that time I was not a public persona. I had done a couple years on a soap opera as an actress, but you wouldn’t know me from Adam. I’m sure you’ve racked your brain trying to remember how you could’ve possibly hit on the actress Amber Tamblyn at a diner almost two decades ago. You think, it’s not possible, there’s no way I would’ve been so stupid as to hit on a 16-year-old known actress. But I wasn’t known then, James. I was just a girl. And I’m going to wager that there have been many girls who were just girls or women who were just women who you’ve done this to because you can get away with it.
The saddest part of this story doesn’t even concern me but concerns the universal woman’s story. The nation’s harmful narrative of disbelieving women first, above all else. Asking them to first corroborate or first give proof or first make sure we’re not misremembering or first consider the consequences of speaking out or first let men give their side or first just let your sanity come last.
So it is with hope, Mr. Woods, that I ask you to go inward now and ask yourself the hard stuff. The ominous unconscious stuff. The archetypal masculinity stuff. The power-play stuff. The perversion persuasion stuff. The secretive stuff. The id’s most cherished stuff.
Only you and your darkness know who you are. Only you and your actions know what you’ve done. That means you and only you have the power to change your behavior.
Are you and your history with women and girls a part of the problem, Mr. Woods?
Go now and look in the mirror and ask yourself if this is true. Go on, I’ll wait. But I won’t hold my breath.
[Image via Joseph Marzullo/FayesVision/WENN.]
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